The Cramps Play a Mental Health Hospital in Napa, California in 1978: The Punkest of Punk Concerts

“We’re The Cramps, and we’re from New York City, and we drove 3,000 miles to play for you peo­ple.” So begins one of the odd­est but also the punk­est of punk rock con­certs in his­to­ry, as The Cramps play for a crowd at a state men­tal hos­pi­tal in Napa, Cal­i­for­nia. The date was June 13, 1978, a time when Napa was more known for the hos­pi­tal than for its bur­geon­ing wine indus­try.

Lead vocal­ist Lux Inte­ri­or made this intro­duc­tion after the first num­ber, “Mys­tery Plane.” The band played on a patio, sev­er­al steps above the court­yard at the insti­tu­tion, while the band’s friends hung out with the 100 or so patients in atten­dance.

“And some­body told me you peo­ple are crazy, but I’m not so sure about that,” Lux con­tin­ues in the video. “You seem to be all right to me.” Indeed, most every­body seems to be hav­ing a hell of a time, some danc­ing as if they’re at a sock hop, oth­ers just com­plete­ly thrash­ing about.

This wasn’t the first band to have played at the insti­tu­tion, as the hospital’s Bart Swain, who invit­ed The Cramps to Napa, often brought in musi­cians to expand the patients’ hori­zons. But on that night a video cam­era was also brought along to record the set. (Swain wor­ried about pre­serv­ing the anonymi­ty of the res­i­dents.)

Anoth­er band on the bill, The Mutants, did­n’t get video­taped, pos­si­bly because the sun had gone down around this time. Either way, it is a very rare slice of punk his­to­ry, with few com­par­isons apart from the Sex Pis­tols play­ing Chelms­ford prison and when a lit­tle known thrash met­al band called Gob­stop­per played a Christ­mas par­ty at a home for devel­op­men­tal­ly dis­abled kids and adults.

Accord­ing to this arti­cle on the event, Napa State still stands but the chances of such a con­cert hap­pen­ing again are slim. The major­i­ty of its ten­ants are now both vio­lent offend­ers and men­tal­ly unsta­ble, too dan­ger­ous a venue for any­body to play, no mat­ter how punk.

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